The Warren G. Flowers Art Gallery is pleased to host the Fine Arts Faculty Biennial 14, opening January 23 and on view until February 19, 2020. The exhibition displays a uniquely broad range of contemporary practices and themes, from nineteen leaders of Montreal’s art and academic communities.

In 1992, Andres Manniste initiated the first Fine Arts Faculty Biennial exhibition at Dawson College. A highly respected senior member of the faculty, Manniste was motivated by the desire to share the rich and varied visual arts practices of the fine arts department with the Dawson community.

Graduating students of the AEC Commercial Photography Program will be revealing their portfolio images for public view on December 17th in the Warren G. Flowers Gallery. The vernissage begins at 6:30 pm. Everyone is invited to meet, greet, marvel and celebrate. Graduates include Laith Al-Omaishi,Fabiane Amorim, Julia Brailovski, Alan Busch, Jonathan Chang, Julien Frechet, Seyedamir Ghazimirsaeid, Yuefeng Jiang, Ava Kiaie, Tim Laur, Gwendal Lemarchand, Maryam Lolo, Willfrance Louisaint, Ann McCarthy, Ludwing Montoya, Roshayne Morrison, Zaafir Pondor, Yana Povelytsya, Ao Shi, Kaven Tremblay, and Carolina Perez Zapata.

Eighteen Dawson Professional Photography students present the best of their final-year works. With: Victor Ahn-Royer, Andriana Alevizos, Megan Antonucci, Jamie Baibos, Laurie Coronel, Xavier De Belle, Cedric De Ocampo, Janelle Fermin, Angela Harvey, Kayla Lacasse, Martin Loh, Dalia Nardolillo, Argyro Quatredeniers, Kaitlynn Rodney, Vu Mylène Tat, Brandon Tran, Natasha Villeneuve, and Erika Violo.

Reclaiming My Place is a group exhibition featuring the work of Sharon Norwood (Toronto/Savannah), Shanna Strauss (Montreal/Bay Area,CA) and Cedar-Eve (Tiohtià:ke/Toronto). Curated by Cécilia Bracmort, their works present strategies to combat structural oppression from a feminist and decolonial perspective. A blend of resistance and resilience, the works of these artists push back representational boundaries and decompartmentalize the imaginary landscape. Heeding the call of this inner voice, they intercept the messages of their ancestors, transmitting them to future generations through their artistic practices.

With the twentieth century’s latter decades came the arrival of the humble remote-control handset, elevating consumers of media to new heights of power over their T.V. sets, VCRs, DVD players, and other electronic devices. With their sleek lines and crisp designs, remote controllers translated a Cold War-era, militarist command-and-control ideology into an aesthetic form and infiltrated it into the world’s living rooms. With remotes in hand, consumers became armchair emperors and generals. In his exhibition Remote, artist Edwin Janzen turns the spotlight onto these consumer electronic artifacts to investigate the shadow-world of humankind’s obsession with technologies of control.

Rebellion of my Ancestors is infused with Jobena Petonoquot’s familial history and its intersections within the history of colonization in Canada. Petonoquot’s beaded works record the memories and stories of her family; photographs, sculpture, prints, and installation articulate an uncompromising Indigenous resiliency and cultural continuity.

Jobena Petonoquot was born in Maniwaki, and raised on the Kitigan Zibi reservation, where she currently lives and works. A graduate Concordia University in 2012, Petonoquot majored in art history and completed a minor in photography.

Dawson College’s Department of Fine Arts proudly presents the culminating work of its 2017-2019 cohort of Visual Arts students. Work in a variety of media will be presented in the gallery and in 2G.4. Artists include: Gustavo Aguirre Najera, Florent Aniorté, Mirella Bacco Mannina, Marie Bilodeau, Florinelle Blandin-Khabad, Adriana Brito, , Noémie Carrière-Larin, Kali Catterall, Maria Chabelnik, Lucie Chevillot-Versini, Alexea Clement, Lam Ky Anh Do, Catalina Edbrooke Donolo, Adèle Fuglem, Lai-Chun Fung, Justin Gapulan, Claudio Alejandro Garcia Rojas Avendano, Brianna Giampaolo-O’Connor, Sarah Guilbert, Min Hyung Kang, Romy Kieffer, Mary-Elizabeth Kroitor, Yaël Legris, Kalina-Sofia Mangrum, Malika Miller, Saba Mohammed, Noshin Nawar, Emy Sauvageau, Yang Zi Sun, Emily Wolski, Anna Yegupov, and Man Zou.

Beginning Wednesday, April 24th, S.P.A.C.E. (Sciences Participating with Arts and Culture in Education), presents PERSPECTIVES. Students, alumni, staff and faculty have all reflected on how different perspectives are created, perceived and represented. Through a multi-disciplinary selection of new writing, photography, installations, videos, illustrations and paintings, this exhibition is a lively and engaged investigation into the meaning of perspective with a focus on gender, kinship, race and the production of knowledge.

Accomplished multimedia artist Moridja Kitenge Banza presents new paintings and work in video exploring the interstices of personal, cultural, and global politics.   His work often blurs reality and fiction, calling into question narratives of history , memory, and identity.  Born in the Democratic Republic of Congo in 1980, he studied at the Académie des Beaux-arts de Kinshasa, and then at the École Régionale des Beaux-arts de Nantes, France.

In 2010 he was awarded First Prize at the Dakar Biennale, Senegal, for his video Hymne à nous and installation De 1848 à nos jours. 

Artist Talk:  Wednesday, Febrauary 27, 5 pm

Performative presence in gallery:  Monday, March 4-Friday, March 8, 2-4 pm

Closing Performance and Finissage:  Tuesday, March 12th, 4-6 pm

Hairdresser’s Hymn to Venus is an action-based exhibition that exists as a reproduction of Botticelli’s famous painting The Birth of Venus (1450). The work retells the Greco-Roman myth of creation by reducing it to a set of actions that each generate a symbolic material growth.